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Abdus Shakoor is a devoted and a legendary
artist in our art scenario. Mainly folk motifs
and ancient ballads have taken place in Shakoor’s
canvas. Folk ballads of Mymensingh-the famous
Mahua and Malua love stories, Nakshi Kanthar
Maath, Gazir Pata, Manasha Pata have found
prominent places in his works. He has depicted
stories with elements and motifs from folk art.
In his works, peacocks and parrots have been
featured in a large scale. Shakoor also uses
animal figures such as elephants, bulls, dogs,
cats, tigers, birds, serpents and reptiles-all as
pleasant and decorative motifs.
Shakoor’s paintings are not simple
illustrations of the traditional ballads. He uses
calligraphy stylistically on his canvas, which
sometimes includes figures of humans along with
birds and animals. Each work depicts a complete
story that hides our identity. In some, animals
like birds, snakes and elephants are presented.
Warriors, tigers and an elephant in the center of
a creation bring out the beauty of the rural
areas where birds, flowers, cattle and snakes are
blended together to create a breathtaking natural
composition. The paintings are primitive in
nature and at the same time modern in its
execution. The lines he uses are not necessarily
stylised, but they have an interactive attitude
of a child with bold outline. The treatment of
lines is simple and untrained in nature giving an
authentic illustrative expression to the
paintings, as a whole. The artist usually uses
four mediums, ink drawing, opaque-watercolor,
acrylic and oil. Among them he mostly
uses ‘opaque-watercolor’ and acrylic. He has also
used gouache in a series of his paintings.
After completing a degree in painting,
Shakoor joined the Institute of Fine Arts in
Dhaka in 1980. He took keen interest in painting,
tapestry, batik and screen-print. Earlier he had
been a student, painting at the Department of
Fine Arts, Chittagong University, under Rashid
Chowdhury, who encouraged him to work with our
heritage, culture and myths.
For Abdus Shakoor, the time of his painting
actually started in 1978 when he was studying in
Baroda University in India. While listening to
discussions on arts by his teachers in the
university he was noticeably moved and was faced
with a new realization. Questions dawned in his
mind about the paintings he had been doing all
his young life.
During his study in Baroda University, he
started experimenting with different styles,
forms and colours. He was highly influenced by
Gazir pat, Laxmi sara, alpana, shital pati,
nakshi kantha, wood works, wall paintings and
other folk art forms. He found the spirit of
Bengali nationality in them apart from getting a
guideline from them. The works of Jamini Roy had
also influenced him in the beginning of his
career. But he has developed his own style,
adapting it from our folk art. He always wants to
present Bangladesh, the Bengali nationalism,
culture and language as his subjects; on the
other hand he want to also portray our Asian
identity.
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